SCIENCE FILMS
As a science film director, editor, videographer, animator, and writer, I get to tell a lot of weird, wild, and wonderful stories. I’ve made over 75 short films and videos. 12 million people have seen those productions, too. I like to find one of a kind stories and communicate science so it’s fun and you understand it. In the past, that’s meant working with scientists and reporting on their research to explain mole units or naked mole rat brains. Also, I’m always asking questions, like what happens to your body when you die in space?
When aspect ratios change, I think up visually compelling, artful ways to make the audience stop their scroll and take notice, like with these vertical science videos made for Instagram Reels for the Wildlife Conservation Society. And because I design vertical templates, editing is streamlined for quick turnarounds.
I make imaginative science films, like the upcoming “scale: BRAIN” for Pioneer Works Science Studios. In collaboration with executive producer, scientist, and author Janna Levin and animator Ramin Rahni, we consider the brain on three unique scales. Microscopic: nanometer-sized neurons, the domain of the invisible. Human: the world that we can perceive. Macro: a brain the size of a planet, a realm that can seem improbably vast. This is my Powers of Ten, but for the brain. (Coming in 2024.)
I create sponsored content—your brand, your story, your world seen through any editorial lens—like the “Driving With Scientists” series I made with the multi-talented Jason Drakeford for Popular Science and Continental. From pitching concepts with custom decks, to managing client relationships, to actually making the videos, my sponsored work at PopSci brought in over a half million dollars in revenue.
I make editorial series you don’t find anywhere else, like the Webby Award-nominated “Wild Lives” for Popular Science (animations by the incredible Beth Wexler). I mean, if you’re not intrigued by the title “Frasier the Sensuous Lion,” are you even human?
I make profiles for science organizations featuring scientists and their work, like the “Science for the Planet” limited-series for Columbia Climate School. Filmed in the lab, the field, and the communities we all live in, cutting edge research is explained, discoveries are made, and real solutions are possible for a climate changed world.
I’m always thinking of different ways to tell stories—explaining hibernation like a Peter and the Wolf performance, or connecting three stories on the theme of nautiluses, or imagining Laika’s space flight from the dog’s POV using declassified Soviet documents. (You can read more about “Nautiluses” on the Sloan Science & Film website.)
I’ve accompanied Field Museum researchers to an undocumented part of the Amazon rainforest, co-producing the educational miniseries, “The Brain Scoop’s Amazon Adventures.” Created in partnership with the amazing Emily Graslie and a rag-tag crew of scientists, the whole series is still one of my proudest accomplishments—made with one DSLR camera, two lenses, and entirely by the seats of our collective pants, it transcends SciComm and is equal parts Jacques Cousteau throwback and something I’ve never seen before or since. Also, I direct documentaries of all sorts, like a Thrillist series featuring a tarot card reader, burlesque dancer, and brass band. And I find stories lost and forgotten in archives, like my viral Science Friday short film “Diary of a Snake Bite Death.”
I make videos for institutions, too—stuff like curator interviews, lo-fi public service announcements, as well as trailers.
See even more of my video work on Vimeo or search the archives of Popular Science, The Brain Scoop, and PBS Digital Studios on YouTube.