FILMS

When aspect ratios change, I think up visually compelling ways to make audiences stop scrolling and take notice, like with these Instagram Reels made for the Wildlife Conservation Society. And because I design vertical templates, editing is streamlined for quick turnarounds.

I make imaginative films, like “SCALE: A Brief Hallucination About the Brain” for Pioneer Works. Created in collaboration with executive producer and astrophysicist Janna Levin alongside animator Ramin Rahni, the film examines the brain across three distinct dimensions: MICRO (nanometer-sized neurons), HUMAN (our perceptual world), and MACRO (a brain the size of a planet). It’s Powers of Ten, built for neuroscience. SCALE was selected by Labocine for their Micrographia series.

I produce editorial series you won’t find anywhere else, like the Webby-nominated Wild Lives for Popular Science (featuring animation by the incredible Beth Wexler). If you aren't intrigued by an episode titled "Frasier the Sensuous Lion," we need to talk.

I’m constantly experimenting with narrative structure: explaining animal hibernation through a Peter and the Wolf performance framework, weaving three distinct stories around the geometry of nautiluses, or reimagining Laika’s spaceflight from the dog’s perspective using declassified Soviet archives. (You can read more about the award-winning Nautiluses on Sloan Science & Film.)

I create high-impact sponsored content—your brand, your story, your world seen through any editorial lens—like the “Driving With Scientists” series I made with the multi-talented Jason Drakeford for Popular Science and Continental. From pitching concepts with custom decks, to managing client relationships, to actually making the videos, my sponsored work at PopSci brought in hundreds of thousands of dollars in revenue.